Through the end

After having finished the 3rd section and having completed the Kristang dialect it’s time to build the way to the end.

At this point, I created a repetitive moment in the sopranos 1 and 2, and altos 1 and 2; using what E.E Cummings wrote inside brackets: “(anywhere I go you go (…) “ (image 1). 

Image 1 - new material, repetition “(anywhere I go you go (…)"

After introducing new material, I selected a motif I had used before and decided to use it again, at the same time (image 2)

Image 2 - new and old material together - E.E. Cummings poem

Later, to follow the plan I had sketched before, I introduced the soloists singing Campos’ poem "Lisboa com suas casas de várias cores” at the same time (image 3)
Image 3 - three different materials together - making the way to the end

At the end, I decided to finished as I started the piece: with some resonance in the choir, keeping the short motif of the soloists singing Campos’ poem “Lisboa com suas casas de várias cores” (image 4)
Image 4 - ending