Experience #5

Yesterday, when I made the motif transpositions and linked them together, I was wondering about rhythm in a way of have a groove section.

I thought about divisions and realise that the 6/8 its more smooth that 2/4, probably because its division in three and not in two. Then, I was wondering about how destabilise the 6/8 keeping it at the same time. I thought about patterns of semiquavers organised in 4, 3 and 2; 4, 2 and 3 (image 1) and groups of demisemiquavers organised in 4, 3 and 2; 4, 2 and 3 (image 2)

image 1 - rhythm patterns in 6/8 organised in semiquavers 4, 2 & 3 and 4, 3 & 2

image 2 - rhythm patterns in 6/8 organised in demisemiquavers 4, 3 & 2 and 4, 2 & 3

After doing these organisations of rhythms patterns I thought that I needed more. I did a kind of organisation, using the same technique, with 7/8 organising the rhythms patterns in semiquavers  (image 3) and demisemiquavers in 5, 3 & 2 and 5, 2 & 3  (image 4)



image 3 - rhythm patterns in 7/8 organised in semiquavers 5, 3 & 2 and 5, 2 & 3

image 4 - rhythm patterns in 7/8 organised in demisemiquavers 5, 3 & 2 and 5, 2 & 3



Then I tried to explore the possibilities of these rhythm patterns with all the harmonic and all the motifs I have done until now in 6/8 (image 5) and in 7/8 (image 6)



image 5 - rhythm plus motif patterns in 6/8





image 6 - rhythm plus motif patterns in 7/8