After having noticed my problems, I called the guitarist and asked him for consultation.
Today, I printed some of my drafts and heard them played by Fábio. This actually helped me with some of the midi problems, because before I was completely composing for the machine and not for real instruments. Still, I realised that the section I was writing worked as a "quasi cadenza” for the guitar and with that I could explore the resonances, colours and timbres of the guitar. Fábio recommended me some articulations in some of the material, he alerted me about some wrong octaves and also helped me to understand, by playing the “quasi cadenza” material, that I was rushing the strings entrance.
/After problems files/colours (closing in)_2nd mov - Full Score.jpg)
/After problems files/colours (closing in)_2nd mov - Full Score2.jpg)
The beginning of the second movement is a combination of fast material from the first movement and slow new material "ff" to "pp” made for this movement. These dynamics nuances, in the strings, will be present in the entire movement.
Other issue Fábio pointed was that I was wrongly using the chords for the guitar. To avoid using chords wrong, I draw a guitar harm with the frets to every time I wanted to create a new chord I could see the possibility.
/After problems files/Notebook.png)
I also started to use the ideas I talked on the blog page title “Ideas” from 16th November 2018 where I talked about Unsuk Chin and her Piano Etude No. 2 (Sequenzen) from “12 Piano Etudes”, where she transform a slow gesture of a material into a fast gesture. Because I wanted to do a sort of opposite idea, I did the same with my material in an opposite way: fast to slow gesture.
First of all, I took some of the gestures that appeared on the guitar in the first movement and transposed them into chord 2 (image 1 and 2).
/After problems files/Notebook 1.png)
/After problems files/Notebook 2.png)
(Image 1 and 2 - transposition of the guitar gesture from 1st mov. in chord 1 to chord 2 for the 2nd mov.)
Also, took the final gesture of the first movement and transposed it to other tonalities from chord 2 which I used in specific moments of the second movement
/After problems files/Notebook 1 (1).png)