Final stage

After Julian Supervision, I decided to follow my own rules. Something that I should had made since the beginning.

I deleted some section that we discussed were overwritten, specially those sections that not corresponded to what I shaped at the very beginning, as for example, when the choir was singing Kristang dialect, at the same time that the soprano and alto solo are singing. I decided in my sketches that the choir will not sing Kristang, and I was not respecting this important rule.

Only, in one section, where tenors and basses imitate the tenor and baritone solo, as eco - nevertheless that was shaped in my sketches. After remaking a couple of issues related with this lack of following my own rules, the soprano and alto solo are now singing Portuguese text, the tenor and baritone solo are now singing the Kristang dialect and, sometimes, Portuguese as well (which I considered the most important of both - that is why they everyone sing the Portuguese poem,) and the choir are singing the Portuguese text, as both eco and resonance, imitating sometimes the all the soloists.

On the other hand, the E.E Cummings text works as connection between Portuguese text and my feeling with what is related on the text - Lisbon.