Yesterday, when I made the motif transpositions and linked them together, I was wondering about rhythm in a way of have a groove section.
I thought about divisions and realise that the 6/8 its more smooth that 2/4, probably because its division in three and not in two. Then, I was wondering about how destabilise the 6/8 keeping it at the same time. I thought about patterns of semiquavers organised in 4, 3 and 2; 4, 2 and 3 (image 1) and groups of demisemiquavers organised in 4, 3 and 2; 4, 2 and 3 (image 2)
/Experience 5 files/IMG_3428 (1).JPG) |
image 1 - rhythm patterns in 6/8 organised in semiquavers 4, 2 & 3 and 4, 3 & 2 |
/Experience 5 files/IMG_3428 (2).JPG) |
image 2 - rhythm patterns in 6/8 organised in demisemiquavers 4, 3 & 2 and 4, 2 & 3 |
After doing these organisations of rhythms patterns I thought that I needed more. I did a kind of organisation, using the same technique, with 7/8 organising the rhythms patterns in semiquavers (image 3) and demisemiquavers in 5, 3 & 2 and 5, 2 & 3 (image 4)
/Experience 5 files/IMG_3428 (3).JPG) |
image 3 - rhythm patterns in 7/8 organised in semiquavers 5, 3 & 2 and 5, 2 & 3 |
/Experience 5 files/IMG_3428.JPG) |
image 4 - rhythm patterns in 7/8 organised in demisemiquavers 5, 3 & 2 and 5, 2 & 3
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Then I tried to explore the possibilities of these rhythm patterns with all the harmonic and all the motifs I have done until now in 6/8 (image 5) and in 7/8 (image 6)
/Experience 5 files/IMG_3428 (5).JPG) |
image 5 - rhythm plus motif patterns in 6/8 |
/Experience 5 files/IMG_3428 (4).JPG) |
image 6 - rhythm plus motif patterns in 7/8 |